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"I have always depended on the kindness of strangers."

Here in its entirety is the review which will be published on the Foreword Clarion website in a couple of weeks.

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Four Stars (out of Five)

“A word of advice,” cautions Alexander, the narrator and hero of Andrew Levkoff’s
The Bow of
. “If you can possibly avoid it, do not get shot.” Such wry asides are plentiful in this tale
of a Greek student “harvested and swept up to feed Rome’s insatiable appetite” for the slaves
“upon which that lumbering beast’s survival depended.”

Levkoff has chosen to tell the story of Marcus Licinius Crassus—the richest man in
Rome during his day, the original benefactor and sponsor of Gaius Julius Caesar, and the
commander who oversaw the campaign to put down the revolt of Spartacus—through the eyes of
a slave. The novel focuses more on the trials and tribulations of those who serve a great house
than on the triumphs and tragedies of those who rule it. Whole chapters are devoted to romantic
and other interpersonal relationships among the staff, while Crassus’s greatest moments—the
Spartacus campaign, the Catiline Conspiracy—are skipped over and told as afterthoughts.

Despite this rather unusual and at times unsatisfactory tactic (at least to fans of Roman
historical fiction), Levkoff does manage to paint his readers a very believable—though perhaps
too sympathetic—portrait of a man who was once the most formidable power in the ancient
world. Levkoff does so while keeping the audience entertained with the soap opera bubbling
about in the kitchens, work rooms, and slave quarters of Crassus’s villa.

The slave Alexander is Crassus’s confidant and conscience and, at times and quite
literally, also his whipping boy. Levkoff does not let his readers forget that while Alexander
comes to lead a life of privilege and comfort due to his master’s generosity, the Greek remains
“but still a slave.” How Alexander is treated by the petulant and pompous Caesar, for example,
speaks volumes on the lives and character of both men.

Thoroughly researched, beautifully written, and cleverly staged,
The Bow of Heaven is a
unique and engaging look at Rome in the first century before the Common Era. It is also the first
in a series, the second of which is previewed in the final pages of the novel. Book Two will focus
on Crassus’s ill-fated attempt to conquer Parthia, a disastrous campaign that humbled Rome, cost
the great man his life, and thus removed the one block that kept Pompey Magnus and Julius
Caesar from tearing the republic apart. If Levkoff continues the excellent work he demonstrates
in Book One, Book Two is likely to be an even better read than the already superb
The Bow of
. - Mark G. McLaughlin
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